Ryazan', Orel, Russian Federation
The paper deals with special strategies of forming fictional narrative metadiscourse. The strategy of “the effect of a camera” is characteristic of some novels of the middle XX century. According to this strategy, the action quickly shifts from one situational frame to the other. Every new chapter in such narratives begins in a new place, at a different time and with a new character. Sometimes different actions take place within one chapter. The strategy “the imitation of a play” like “the effect of a camera” is connected with the visualization and with the filming of fiction. The author’s metadiscourse is represented by leaving the reader face-to-face with the characters. The reader sees and hears the dialogue between the characters with minute details, such as pauses, stutters and hesitations.
metadiscourse, English fictional narrative, fictional reality, fictional time, cognitive map
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