UDK 94 Всеобщая история
Objective: to study the stage innovations created by scenographer I. Jones in the English court Masque in the first half of the XVIIth century. The research methodology assumes the unity of such methodological approaches as cultural-historical, comparative analysis method, and generalization method. Results: it is established that I. Jones revived interest in ancient art in the aristocratic circles of England. It was revealed that the stage innovations of I. Jones represented a unique fusion of Italian and French innovations and distinctive English culture in scenography in English court Masque. Thanks to the fruitful alliance of I. Jones with the English playwright B. Johnson and other famous screenwriters, as well as the creative influence of I. Jones on King James I and Charles I, the genre of the court Masque reached its peak and perfection. Scientific novelty lies in an attempt to comprehend the creative innovations of the English architect and stage designer I. Jones in the genre of the Court Mask in the era of the reign of kings James I and Charles I Stuart. Practical significance: the main results and conclusions of the paper can be in lecture materials, at seminars and practical exercises in higher humanitarian educational institutions.
creativity of I. Jones, court Masque, iconology, symbol, stage costumes, stage lighting, scenery, color, style, quality, fabric
1. Allardyce N. Stuart Masques and the Renaissance Stage. - New York: Benjamin Blom, - 1938. - 224p. (in English)
2. Bacon F. The Essays. - New York: Cosimo Classics, - 2007. - 156 p. (in English)
3. Bevington D. & Holbrook P. The Politics of the Stuart Court Masque. - Cambridge: Cambridge University Press, - 1999. - 352 p. (in English)
4. Graves R. B. Lighting the Shakespearean Stage, 1567-1642. - Carbondale: Southern Illinois University Press, - 2009. - 288 p. (in English)
5. Gurr A. The Shakespearean Stage. - Cambridge: Cambridge University Press, - 2009. - 360 p. (in English)
6. Jones A. R. Renaissance Clothing and the Materials of Memory. - Cambridge: Cambridge University Press, - 2001. - 384 p. (in English)
7. Korndorf A. S. Dvorcy Himery. Illyuzornaya arhitektura i politicheskie allyuzii pridvornoj sceny. - Moskva: Izdatel’stvo Progress-Tradiciya, 2011. - 648 s. (in Russian)
8. Leapman M. Inigo: The Troubled Life of Inigo Jones, Architect of the English Renaissance. - London: Headline Book Pub Ltd, - 2004. - 414 p. (in English)
9. De Marly D. Costume on the Stage 1600-1940. - New Jersey: Barnes & Noble, - 1982. - 167 p. (in English)
10. Orgel R. & Strong S. Inigo Jones: Theatre of the Stuart Court ages. - California: Sotheby Parke Bernet, - 1973. - 868 p. (in English)
11. Ravelhofe B. The Early Stuart Masque: Dance, Costume, and Music. - Oxford: OUP Oxford, - 2009. - 334 p. (in English)
12. Serlio S. Sebastiano Serlio on Architecture. - New Haven & London: Yale University Press, - 2005. - 528 p. (in English)
13. Stemp R. The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art Hardcover. - New York: Sterling Publishing, - 2006. - 224 p. (in English)
14. Sturgess K. Jacobean Private Theatre. - Philadelphia: Routledge Kegan & Paul, - 1987. - 228 p. (in English)
15. Tankard D. Clothing in XVIIth Century Provincial England. - Bloomsbury: Bloomsbury Visual, - 2019. - 280 p. (in English)
16. Shakespeare homepage: The Merchant of Venice: [Internet resource]. - Mode of access: URL: http://shakespeare.mit.edu/merch ant/full.html (in English)
17. The Iconologia of Cesare Ripa: [Internet resource]. - Mode of access: URL: https://warburg.sas.ac.uk/pdf/noh390b2714105.pdf (in English)
